Opening Thursday night at the Strand is a lavish musical that ends with Queen Victoria herself saving the day and declaring “anyone can be a princess.” Young ladies may find that this revival of the 2004 musical “A Little Princess” lends wings to their dreams of tiaras and coaches, but three black Dorchester males are reporting that it is giving them practical experience in re-enacting their African roots.
The Nov. 21 show is the first of 14 performances of “A Little Princess” as presented by the Fiddlehead Theatre Company, declared earlier this year by Mayor Menino as the 2013-14 resident theatre company of the Strand. This “heart-felt musical for the whole family” runs through December 8. Fiddlehead is offering a special discount $10 for Dot residents this weekend only; those interested should check with the box office.
Last year Fiddlehead proved it could mount a Broadway-sized production in Uphams Corner when, with assistance from the Boston chapter of the American Civil Liberties Union, it staged the hit show “Ragtime.” In addition to garnering respectable reviews, Fiddlehead’s “Ragtime” averaged 550 spectators a night over its 12-performance run, selling out a few times and breaking even over all by attracting large multiethnic audiences. Read more
Nov. 4, 2013
In sync with Boston Baroque's exciting 40th Anniversary Season, the Grammy-nominated orchestra will present a free concert at the historic 1400-seat Strand Theatre, 543 Columbia Road in Dorchester on Sun., Nov. 10 at 2 p.m. The concert, sponsored and hosted by Mayor Thomas M. Menino, and the City of Boston's Office of Arts, Tourism and Special Events is also made possible by a grant from the National Endowment for the Arts and the Free For All Concert Fund. Read more
Nat Anglin, a 28-year-old rapper who performs as “Natural,” long ago made the streets of Boston his musical muse. His songs and videos are liberally laced with B-caps and big-ups to Big Papi. Natural belongs to a school of homegrown MCs who rep Boston with conscious abandon – knowing full well that such boosterism could stymie some national break-out moment.
It’s never fazed Anglin, a Milton-reared baseball player and fan with deep Dorchester roots who works part-time as a bartender and teacher. When bombs blew apart lives and limbs on Boylston Street last April, Anglin didn’t have to conjure up some abstract artistic connection to the carnage. Read more
This weekend the new board of the Dorchester Arts Collaborative (DAC) is opening several new venues and tweaking some old traditions during the 2013 Dorchester Open Studios (DOS), which showcase the creative spirit of the visual and performing artists of the city’s largest neighborhood. All 15 sites will be open noon to 5 p.m. both Saturday and Sunday (October 19 and 20) during this 12th annual DOS.
“This year’s Dorchester Open Studios promises to be one of the best we’ve seen in many years. We’re excited at the opportunity of having several new sites exhibit the works of local artists,” says J. Gustavo, DAC Board President. “My commitment to the success of Open Studios and Dorchester artists is but a simple representation of Dot pride and community collaboration that is expressed across our entire board of directors.” Read more
“As a person of color and as an actress, I can say, ‘It’s always nice when you’re at the theater to see a little something of yourself up on the stage.’ ”
At least that’s the experience of Codman Square resident Miranda Craigwell, who will be playing Lady Capulet as the Actors’ Shakespeare Project (ASP) returns to Uphams Corner this weekend for a month-long, multiracial production of “Romeo and Juliet.” Read more
Sep. 18, 2013
Kiley Fitzgerald has gone from school plays on the stage of the old St. Mark’s School to Chicago’s Second City theater and around the Caribbean as comedic cruise entertainment. A new performance brings Fitzgerald back home to Boston, and though the theater may be in the North End, Fitzgerald’s stories and memories are plucked straight from her time growing up in Dorchester.
Fitzgerald stars in “I Am My Mother’s Daughter,” her new one-woman show centered around her youth and family’s experience in the neighborhood. Read more
What will the next mayor of Boston do with the Strand Theatre, the Uphams Corner landmark that debuted as a movie palace in the waning days of World War I? Like a Charlie Chaplin character flickering across its earliest screen, the Uphams Corner landmark stumbled and lurched across the 20th century and, on more than one occasion, damn-near plunged hat-first into an abyss of debt and decrepitness. And, like the ‘Little Tramp’ himself, the Strand has proven to be an enduring and endearing figure – with the promise of new audiences and a heroic revival that has been years in the making. Read more
Aug. 15, 2013
From her table in the back corner of Ramsay/Toy VFW Post #8872 on Woodrow Avenue, Post manager Marie Carrington spends Sunday evenings inspired by the sounds of Dorchester saxophonist Kurtis Rivers and his band. Carrington calls this her “Sunday night prayer meeting,” and she is looking forward to celebrating six years of Sunday jazz at the Post on August 18.
Carrington was introduced to Rivers by a friend, and her love of jazz and his pursuit of a regular performance venue resulted in a weekly residency that has become a hidden gem in the Boston jazz world. Read more
A pair of matching bracelets and not of the more familiar glass slippers is the key to reuniting heroine and hero in a tuneful operatic version of Cinderella, starting tonight at the Strand. The Boston Opera Cooperative (BOC) returns to Uphams Corner for a four-performance run of La Cenerentola, Gioachino Rossini’s opera, the plot of which is more complicated and humorous than the better-known Disney version of the famous Perrault fairy-tale. Read more
The city of Boston has formed a partnership with the Fiddlehead Theatre Company, which will be officially named the “resident theatre company” at the Strand Theatre during a public event scheduled for today. The designation will boost year-round activity at the landmark, city-owned theatre and guarantee that a minimum of two, high-caliber musicals will hit the stage for multi-week runs in the coming year. Read more